We wish to give readers this warning, and understand some might not feel comfortable discussing the franchise in light of this information. The story of Rurouni Kenshin begins in s Japan, where the end of the Japanese civil war is marking the transition from feudalism to modernism. Himura Kenshin, a legendary warrior, renounces his violent ways and wanders the land looking for atonement.
But his past catches up to him, and he must once again use his gift of swordsmanship to help the innocent. Rurouni Kenshin started as a manga series, and became a successful anime series in the mids. It was only a matter of time before a live-action adaptation of the saga followed.
Warner Bros. So what makes this franchise so special? The Kenshin movies stand out for a number of reasons: Their compelling stories are filled with endearing characters, and they take place in a rich world that draws from real Japanese history.
Bringing the story to life through superb production design and cinematography, the films find the right balance between visual naturalism and moments of pure mythological wonder. They center on an attention-grabbing protagonist, introduced as an unstoppable force of war who wants to stop fighting. Kenshin feels that every time he killed an adversary, he lost part of his soul.
The weapon lets him use his fighting skills to protect those in need, without ever killing again. Burned alive, wrapped in bandages, he uses a serrated sword that has accumulated so much human fat through years of cutting open human bodies that it catches fire at the faintest spark. Kenshin chose to renounce violence, rather than being defeated like Japan, but his move to a less warlike way of living sets up a core theme for the series: the transition from a warrior age to a civilized one, and the complete societal reinvention that must come with it.
All three films in the original trilogy see the old trying to catch up to the new, or trying to make it old again. Kenshin can only complete his journey when he realizes that the future lies in transforming the elements of the past, rather than eliminating or forgetting them.
When they talk about standing by their ideals and enacting change for the better on an individual level, the personal becomes political. The series constantly questions whether violence is an inevitable part of societal change, whether the ways of the past can be used to protect the future, and how.
Those questions resonate through the action design, which pushes the boundaries of what Japanese blockbuster can offer. His work will also be featured in the American G. Joe film Snake Eyes , slated for release this summer.
Tanigaki brings his A-game to the Rurouni Kenshin saga, delivering an entirely new breed of cinematic kinetics. Kenshin fights not only with his blade, but with his whole being.
Speed and the use of the environment also play a major role in the way these films update Japanese action movies, pushing the actors to the limits of what is physically possible. Wires are used to amplify movements and let the films subtly step into superhuman territory, but never so much so that it breaks the suspension of disbelief.
The camera work is just as commendable, either enhancing the dynamism of the fights, or bringing an extra layer of meaning to the pictures. They stay the course for most of the original trilogy, which is nearly miraculous. The first Kenshin trilogy remains one of the greatest action-movie achievements of the decade. The creators clearly had to make difficult choices around condensing the story and streamlining the characters, but the creative team brings this world to the screen with heart and panache.
Medically speaking, the physical demands for Hiten Mitsurugi are tremendous. For anyone ill-equipped, such as Himura Kenshin , simply employing their techniques causes cumulative, physical damage to their body. According to the physician Takani Megumi , the style is essentially a "superman's sword art", requiring someone with an incredibly athletic body to use effectively in the long term. Normally, the training provided during apprenticeship enables a practitioner to condition themselves properly.
After using the technique only six times, he caused irreparable damage to his muscle tissue, decimating the agility and speed needed to exercise the more advanced techniques of the Hiten Mitsurugi. Furthermore, due to the immense stress imposed on the body, along with one not having the proper physique necessary to use the sword style to its fullest in the long run, continuous use can result in the user eventually being crippled and eventually no longer capable of using the style without it posing a risk to their life.
But, with proper and regular training, the style serves as a veritable "fountain of youth" enabling practitioners to suppress the ageing process. Meanwhile, the range of the attack is increased and the timing of the attack changes slightly, which can throw off the opponent. Although truly, a super-sword attack, it endangers the user by possibly putting the adjacent leg into the free sword's path and draws one even closer to an opponent's sword than usual, but on the other hand, boosts the speed of the sword draw to beyond-Godspeed and even greater is the boost in force of the strike.
By realizing one's insignificance and risking life and limb to protect something else while, at the same time, taking one's own, fragile human life into consideration, the user is able to step into the small margin behind one's own drawn sword and in front of the sword of one's opponent without fail, delivering a beyond-godspeed blow of monstrous power.
The immense force of the enhanced draw cuts the air in front of it and creates a powerful vacuum in its wake as the deflected air rushes back into place.
Any opponent able to deflect or dodge the first swing will automatically be subject to this vacuum and inexorably pulled closer to the user, all the while this vacuum creates intense winds powerful enough to overwhelm and catch their opponents off balance. The added momentum of the spin in addition to the pulling force of the vacuum on both side results in a second strike that greatly dwarfs the first in power. Should they succeed, they will have mastered both this technique, and how it is a testament, the entire style of Hiten Mitsurugi itself, but at the cost of the preceding master's life.
Its second strike is first seen being used by Kenshin against Shishio Makoto. Yukishiro Enishi is the only other opponent who has faced this technique twice. In the live-action, the added step is capable of launching Kenshin into the air towards a leaping opponent. Rurouni Kenshin Wiki Explore.
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